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Center for Computer Research in Music and Acoustics

CCRMA WAVE (Wall for AudioVisual Expression) presents

Eroded Landscapes

Penny Hes Yassour

Department of Music at Stanford Seeks Composition Faculty

We are pleased to announce that the Department of Music is searching for a composition faculty member to join our professoriate. This person will be able to collaborate closely with CCRMA faculty, students, staff, and facilities while teaching composition in Braun Music Center and the Knoll. Detailed job posting and application can be found here: https://music.stanford.edu/news/faculty-position-available-assistant-pro...

Upcoming Events

Richard F. Lyon (Google): Using machine learning and cochlear models to personalize and optimize hearing aids

Date: 
Fri, 11/06/2026 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
Current hearing aids are often fit based on a prescription derived from a patient’s hearing thresholds. But these thresholds are a pretty primitive model of our auditory system. Can we do better? Can AI methods help?
FREE
Open to the Public

Richard F. Lyon (Google) - Using machine learning and cochlear models to personalize and optimize hearing aids

Date: 
Fri, 11/06/2026 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
A modern hearing aid has many tunable parameters, and a neural-net-based hearing aid that can enhance signals of interest has very many more parameters to tune. Individuals' hearing impairments differ in many more dimensions than are characterized by audiograms. So fitting or personalizing a hearing aid to a user requires more sophisticated technology than is used in conventional audiological practice, starting with more kinds of hearing tests. We show how machine learning and related parameter optimization methods are used in this process, first to run hearing tests efficiently to gather the needed personal data, then to train a model of the user's individual impairment, and finally to train a neural-network-based sound processor to act as a personalized hearing aid.
FREE
Open to the Public

Immersive Listening Session with AES

Date: 
Thu, 11/12/2026 - 7:30pm - 9:30pm
Location: 
CCRMA Stage / CCRMA LIVE
Event Type: 
Concert
What does an album sound like when the room itself becomes an instrument? For one evening, CCRMA's ambisonic Stage is reconfigured as a Dolby Atmos playback environment, inviting you inside two albums the way their creators heard them — as three-dimensional worlds of sound.

FREE
Open to the Public

Sound, Voice, Strings: Compositions for Traditional East Asian Instruments

Date: 
Tue, 11/17/2026 - 7:30pm - 8:30pm
Location: 
CCRMA Stage
Event Type: 
Concert

An evening of new music for stringed traditional East Asian instruments. Featuring Katherine Whatley (koto and voice), Southeast of Rain (pipa, voice, electronics), and Stella Da Yun Song (haegeum).

FREE
Open to the Public

Proloy Das on EEG and MEG source localization

Date: 
Fri, 11/20/2026 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
Proloy Das will be at the Hearing Seminar to discuss EEG and MEG source localization.

Source localization is often used in EEG and MEG studies to assign a signal to specific regions in the brain, not just a surface electrode location. These algorithms make a number of assumptions. How do these algorithms localize a signal, and how much should we trust the results?

For information see Proloy's lab page: proloydas.net/

FREE
Open to the Public
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Recent Events

Bernhard Ross on gamma oscillations during listening to speech

Date: 
Fri, 10/30/2026 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
I’m really happy that Prof. Bernhard Ross will be at CCRMA to talk about his work (with Prof. Fujioka) to understand the connection between brain oscillations and auditory perception. Prof. Ross is retiring so I’m looking forward to hearing his final (and greatest?) work.

Oscillations are a long standing theory or explanation of how our auditory system groups together the sounds we need to understand. How is that we figure out that these frequencies are a vowel, and these other frequencies are part of a door knock? Are oscillations the cause, the method, or an epiphenomena?

Who: Bernhard Ross (Toronto)
What: Fast EEG/MEG rhythms (gamma) underlying brain processes of auditory perception
When: Friday October 30 at 10:30AM
FREE
Open to the Public

Estelle Song (Meta) - When Sound and Vision Move Out of Step: Introducing Motion Onset Asynchrony in Spatial Audio and Immersive Media

Date: 
Fri, 10/23/2026 - 10:30am - 12:00pm
Location: 
CCRMA Seminar Room
Event Type: 
Hearing Seminar
How do our brains synthesize audio and visual percepts, in a real or virtual environments, in order to understand the world around us? Spatialized, augmented and virtual reality experiences are easier than ever to create and thus more common. They provide a great experience, when they works. A big part of that experience is synchronizing audio and visual motion so the entire percept fuses. But how closely do they have to be aligned to fuse into a single percept? How does their relative timing affect these perceptions?
FREE
Open to the Public

Spatial Composition: The New Frontier | Presentation & demonstration by Julius Dobos

Date: 
Thu, 10/22/2026 - 11:30am - 1:20pm
Location: 
CCRMA Stage
Event Type: 
Guest Colloquium
Program breakdown: 11:30am – 12:20am Session 1: Space: The fifth element of music. Spatial synthesis. 12:30pm – 1:15pm Session 2: Spatial Composition: research, demonstration and analysis. Q&A. Abstract: Composers have been using rhythm and melody for thousands of years; harmony for centuries. Musique concrète expanded the use of timbre, often referred to as the 4th element of music, some 75 years ago. Are we on the verge of another musical disruption? What if, focusing on the creative possibilities of spatio-musical design and using spatial location and movement as compositional tools, composers and songwriters not only produced but composed music in and for immersive systems? Can SPACE be considered the 5th element of music?
FREE
Open to the Public
application/pdf iconPoster
image/png iconJulius Dobos Photo

Bill Fontana: Imaginary Acoustic Visions | Seeing with My Ears and Hearing with My Eyes

Date: 
Mon, 10/19/2026 - 5:30pm - 7:00pm
Event Type: 
Guest Lecture
Bill Fontana will give a presentation on Imaginary Acoustic Visions and play examples of his sound sculptures.

The event is FREE and open to the public. But RSVP if you'd like pizza after the talk!
FREE
Open to the Public
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Past Live Streamed Events

CCRMA Vimeo Channel

Recent News

Marina Bosi to Deliver the Richard Heyser Memorial Lecture at AES Show Nashville 2026

Marina Bosi will present the Richard Heyser Memorial Lecture at the Audio Engineering Society (AES) Show in Nashville on Saturday, October 31, 2026.
 
Her lecture, “Making Every Bit Count: From Psychoacoustics to the Technologies Enabling the Digital Music Revolution,” will explore how our understanding of human hearing, together with advances in digital signal processing helped make the digital music revolution possible.

The lecture will highlight the fundamental ideas and technologies that have shaped modern digital audio and the way we experience music.

File Attachment: 
image/png iconmarina_aes_2026.png

Gareth Loy, CCRMA Fixture for 50+ years, died on May 28, 2026

Picture of Gareth LoyOur friend and colleague, Gareth Loy passed away on May 28, 2026. He was one of the original souls at CCRMA in the '70s, combining his musical and technical skills to create new kinds of music.
File Attachment: 
image/jpeg iconPicture of Gareth Loy

John Chowning Receives Technical GRAMMY Award


We are thrilled to announce that John Chowning, pioneering composer and co-founder of CCRMA, was honored with a Technical GRAMMY® Award by the Recording Academy on January 31st, 2026 at the Special Merit Awards ceremony. This prestigious award recognizes individuals who have made contributions of outstanding technical significance to the recording field.

David Braun & Ge Wang discuss Faust and ChucK with TouchDesigner

derivative.ca/event/touchdesigner-insession-180-david-braun-ge-wang/65762

DEG Presents Hedy Lamarr Award to Dolby Laboratories’ Chief Scientist Poppy Crum

 
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Fall Courses at CCRMA

Music 32N Sculpting with Sound, Images, and Words
Music 106 Concert Production
Music 154C Historical and Creative Approaches to Electronic Music
Music 192A Foundations in Sound Recording Technology
Music 201 CCRMA Colloquium
Music 220A Foundations of Computer-Generated Sound
Music 223A Composing Electronic Sound Poetry
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320 Introduction to Audio Signal Processing
Music 351A Research Seminar in Music Perception and Cognition I
Music 451A Auditory EEG Research I

 

 

 

   

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